Velveteen Tips and Tricks


As a sewist, there is nothing more therapeutic than sewing with amazing fabric. A gorgeous crisp linen; a shimmery, drapey silk; or-getting into the fall spirit of things-luxurious velveteen. Velveteen is a fantastic fabric. However, as usual, with great fabric comes great responsibility. Here are a few tips to consider as you sew with and care for your cotton velveteen.

Velveteen is very similar to velvet because it is also a fabric with a pile. That fuzzy, brushed surface has the classic luxurious look of velvet. At Farmhouse, we love our cotton velveteen. Why cotton? Well that’s because cotton velveteen is pretty durable-as far as pile fabrics go. And when you’re sewing for little ones, you need a fabric you can put in the washing machine!

So let’s talk about the care of velveteen fabric from the start to the finish of a project. Just as you would do with all 100% cotton fabrics, you should pre-wash your cotton velveteen to avoid shrinkage. Like we said a few sentences ago, we do indeed machine wash our velveteen. Now, everything we have ever read about the care of velveteen recommended dry cleaning; so officially that’s what you should do. However, off the record, we would just like to admit that we put our cotton velveteen in the washing machine and it not only survives but it looks great too. If you plan to machine wash your completed project, pre-wash and dry your fabric in the same way. Now in terms of drying cotton velveteen you need to be careful. Never line dry or dry your velveteen by hanging it over a ledge of some sort. Any ridge or crease your velveteen has while it goes from wet to dry will be a permanent mark in the pile. So it is important to spread your fabric out to dry or hang your garment on a padded hanger. You can “fluff” your velveteen in the dryer until it is merely damp, and then lay it flat or hang on a padded hanger to finish drying.


Moving on to what would be the next step in your creation of a velveteen garment. When you prepare to cut your fabric you need to take into account that all your pattern pieces need to be running in the same direction. The pile of velveteen would cause any piece cut in a different direction to look like a different color when cut. That is why some patterns have a different yardage requirement for fabric with nap. Fabrics with nap are “one way” fabrics (no fancy fitting and placement of pattern pieces allowed!) and often require a little extra yardage. To find the proper direction of the velveteen, run your hand down the length of the fabric. The correct direction will feel silky soft but the wrong direction will not feel nearly as smooth. Of course, there are always exceptions. Some people choose to place their pattern pieces the on the “wrong” grain in order to achieve a certain color for their project. The important thing is to have them all going the same direction. Also, velveteen can easily show pin marks so it’s important to use fine, sharp pins during the cutting out and sewing process.

When you are ready to sew your velveteen into a gorgeous garment be sure that your machine needle is sharp and fine. The pressure on your presser foot should be relatively light so as not to crush the pile of the fabric. Because velveteen is a pile fabric, the cut edges are extra prone to shedding. You can finish your edges with serging, a zig-zag stitch, with a seam casing (Hong-Kong finish), or simply by lining the garment.

Find this dress here!

A very important aspect of velveteen is the method with which to press it. A regular method of ironing would absolutely crush the pile beyond repair and you would lose that gorgeous, luxurious effect. There are a few different techniques you can use for ironing (essentially they all have the same goal: keep the pile from being crushed). One option is to use a needle board-a thick, padded piece of canvas with hundreds of needle-esque wire sticking up. You would place the velveteen on these needles with the pile side down and would press the “wrong” side of the fabric-thus ensuring that the pile is not crushed. Another method would be to use a thick terrycloth towel in the same way as a needle board. When you are ironing seams it is helpful to use something called a “Strip Stick“. These handy sticks make sure that the edges of your seam allowances do not get pressed into the velvet and make a heinous crease line in the pile.


Ironing using a strip stick

After you have finished your velveteen creation it is important to store it by hanging rather than folding. Again, any crease in the velveteen can become a permanent mark in the pile. So hang that Christmas dress on a hanger! You won’t regret it when you pull it out next year and all it needs is a light steam!

Velveteen is truly a stunning fabric. Sometimes the care involved in pile fabrics can scare people away from sewing with them, but when you look at velveteen creations you can be sure the result is well worth the little extra effort.

Find these two velveteens here and here


You Can’t Judge a Book By It’s Cover


Everyone knows the expression “You can’t judge a book by it’s cover”, but did you know that this well known phrase has meaning in the sewing world too?  You can look at the outside of a garment and you can see that it is beautiful. It can be a baby day gown made out of the finest, most delicate nelona with hand embroidery and French lace at the collar and sleeves and it can take your breath away with the beauty of it. However, if you put your sweet little baby in that gorgeous daygown with no slip it changes the whole look of the garment! Of course, those chubby legs are absolutely precious, but what you really need for that daygown is a slip. What is inside a garment can be just as important as the outside.

Because each garment is unique, the necessary lining will vary. We will talk about three different ways of lining-beginning with the slip we mentioned earlier.

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Slips are created to prevent show through in clothing, which is why they are especially needed in heirloom clothing. The fabrics used for this type of sewing are so fine that they are quite sheer. Several different fabrics can be used for a slip-it really depends on the sewist’s preference. Most people decide on simple imperial batiste, but others prefer bearissima. Because the purpose of the slip is to prevent show through, people often choose white under white or light colors. If a shade the matches the outer dress can be found, then that can be used also. One fun idea that we’ve seen before is the use of a blue slip under a sheer Swiss voile. As you can see in the photo, the subtlety of the blue adds a new dimension to the dress.

While slips are a form of lining used to prevent show through, another use for a lining is to add warmth to a garment. We are coming up on cold weather and many of you are beginning to make fall and winter clothes. When you make a jacket or coat, you will most definitely line it. Of course, the level of the warmth of your lining will depend on the climate you live in (here in South Carolina we don’t need as thick of a coat as those of you further north!). Some of you can get away with a cotton or polyester lining, but for the colder places you might choose a kasha fabric or maybe even a wool or silk with some quilted layers. (Find the kit for the sweet pink coat below on our website here)

Yet another use for a lining is that of preventing chafing from seams or even just to add a more finished look to the inside of a garment. We can see that happen in many different outfits: for example in something like a jon-jon or the bodice of a dress. Fabrics for those usually depend on the fabrics used on the garment. Some people like to carry over the outer fabric into the inside so that it matches and doesn’t show at the armholes or neckline. Of course, another option is always white or colored imperial batiste.


The dress has been partially lined-just the yoke.

No one appreciates a well made garment like a sewist. That’s because when we look at a dress, coat, or jon-jon we don’t only look at surface form, but we appreciate the function and the detail even on the inside.

Beautiful Velvet

FarmhouseFabrics Velvet Ribbon

Down in South Carolina our weather is far from cold. In fact, we are still feeling the high nineties and full humidity. But that doesn’t stop us from dreaming about fall! With all the littles heading back to school are thoughts are turning toward pumpkin spice, falling leaves, and-can you believe it-Christmas sewing! So now, heading into fall and winter, we are giving some thought to one of our favorite fancy fabrics for cool weather: velvet!

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One of the most distinguishable marks of velvet is it’s pile: its raised, brushed surface. The luxurious appearance of velvet as well as its elaborate production has always associated it with nobility and status. It was brought into European fashion by way of Venice, Italy around the 14th centurty. The Venetians imported this gorgeous textile from Cairo, Egypt-the world’s largest producer of velvet at the time. The Europeans began to view this fine fabric as a symbol of their power and status. Some wealthy families would specially commission velvet woven with the design of their crest or coat-of-arms. The story goes that King Richard II of England even directed in his will that he wished to be buried with his body clothed in velveto (in velvet).


Velvet_warpBut of course the nobility loved velvet. Its pile gives it stunning dimension and its drape is perfect. And every little girl who has had a velvet Christmas dress knows that it is the perfect fabric on which to draw shapes by smoothing the pile in different directions 🙂 So how is this wonderful fabric created? Velvet is woven in a very unique way-different from other fabrics. Velvet is woven sort of like a sandwich. The threads that are used to create the pile are woven joining the two layers until a point in the weaving process when the top and bottom layers are cut apart. This separates the joining threads and results in the lovely brush of pile. This method of weaving is called the “face method”.

Velvet can be woven using many different kinds of threads. Today the most common types of velvet are silk-rayon velvet and cotton velvet. Some other options are linen, wool, and of course synthetic fibers such as polyester. At Farmhouse Fabrics we like our silk-rayon velvet the best. The silk gives the fabric an even greater sheen! One of our dreams is to one day come across some velvet that is 100% silk. Pure silk velvet is now extremely rare and sells at hundreds of dollars per yard in the US market.

Like silk, velvet has held on to its status throughout time. In the 1300s it was a rare textile that was full of upper-class luxury and today we still view it as a “special occasion” fabric. It is truly perfect for dressing the little ones we love so much.

FarmhouseFabrics Velvet Roses

Silk Anthology

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For hundreds of years, silk has been considered the creme de la creme of fabric, and with good reason! No other textiles can compete with the shimmering beauty that silk has. As well as being a stunning fabric, it is also incredibly strong and breathable. In fact, silk is the strongest natural fiber known to mankind! Think of the range of uses for silk: delicate slips, wedding dresses, medical suture thread, parachutes, and even artificial arteries!

The process of silk-making was originated in China and was closely guarded by the Chinese for many years. It was so rare and valuable that when the ancient city of Rome was attacked, the leader of the attacking Goths demanded gold, silver, and silk as a ransom!


Today, silk is still highly valued. It is often used for special occasions and specialized garments. Of course, the word “silk” simply describes the type of fiber…the fibers can be woven into many different types of silk fabrics. Here at Farmhouse Fabrics we love all kinds of silk-from stiff taffeta and dupioni to drapey charmeuse. Each type of silk fabric brings a certain style to a garment. Maybe you can recognize these fabrics in well-known wedding dresses or evening gowns: all very different and yet all silk!

laura-carmichael-downton-abbey-wedding-inlineCharmeuse: Silk charmeuse is often the first thing that comes to people’s minds when they hear the word silk. It has a gorgeous sheen and luxurious drape-making it ideal for bias cut evening gowns or delicate lingerie. If any of you are fans of Downton Abbey then you can remember Lady Edith’s beautiful wedding gown-perfectly reminiscent of the 1920s.

Dupioni: Silk dupioni is almost the opposite of charmeuse. Whereas charmeuse is slippery and drapes well, dupioni is stiff and crisp. Silk dupioni is often suited to a tailored look. It has a lot of “slubs” (a result of threads that are inconsistent widths) which add a fun texture.

Shantung: Shantung silk is very similar to dupioni and the two are often confused. In fact, shantung is a much more delicate fabric than dupioni. It also has fewer slubs, and the slubs that it does have are of a much finer thread width. Because shantung is a thinner fabric than dupioni, it drapes better than dupioni and is more suited to evening wear.

Taffeta: Silk taffeta is another stiffer fabric, but it is still suited to evening dresses and wedding gowns. Some very famous wedding dresses were made of silk taffeta, namely, Lady Diana Spencer in her marriage to Prince Charles and Jaqueline Bouvier in her marriage to John F. Kennedy. Taffeta has that lovely crisp look to it and yet it is flexible enough for some drape.

Organza: Silk organza completes our list today. Organza is a very sheer, lightweight fabric that is perfectly suited for bridal wear. It makes a lovely overskirt and adds an almost fairy-esque ethereal touch.

When you look at all these different fabrics you can understand why silk was (and is!) so highly prized. This one fiber can be woven into so many different fabrics and all of them are beautiful in their own way.


So Much More Than Shirts


Farmhouse Fabrics Shirting Header

If you’ve been shopping at Farmhouse for any amount of time, you know what we love our shirtings. However, when some people hear that we specialize in fabrics for children’s clothing, they don’t understand our love for men’s shirting fabrics. Maybe what they don’t realize is that shirting refers to so many different fabrics-from broadcloth to twill to even Liberty of London lawns! All of our garments featured in this post are made of shirtings!

At Farmhouse Fabrics, our term “shirting” covers a very wide spectrum of fabrics. Miss Sally began calling certain fabrics “shirting” when she began buying fabric used by high-end men’s shirt manufacturers in New York. What the term meant to her was that it was crisp and light-weight…definitely not suited to a jacket or pants. However, sometimes when we call a fabric a “shirting”, our customers can only see it as fabric for men’s shirts and don’t open up to the other possibilities-such as children’s clothing! Often we use these soft, satiny fabrics for lovely blouses or dresses for our little girls. The highest praise we can receive is the approval of our little ones, and our shirtings have made the cut! One of Miss Sally’s granddaughters came into the shop recently, held a new length of shirting to her cheek, and asked for a nightgown out of the fabric…high praise indeed!


One of the wonderful things about our shirtings is that they come in countless colors and patterns. But this wasn’t always the case. Did you know that historically the shirt was considered an undergarment? Men would wear white shirts made of linen or silk under their more decorative outer clothing. The shirts were meant to be hidden-it would have been improper for the shirt to be seen. As the shirt slowly emerged as a regular and respectable item of clothing, the color of the shirt was still very important. In the 19th century, colored shirts were considered common and worn only by the lower classes. Gentlemen wore white shirts (hence the well known terms “white collar” and “blue collar”).

grant-caryThe idea of the white shirt being a mark of prosperity and masculinity permeated as late as the 1910s when stripes began to come into vogue. The type of fabric used to make the shirts gradually changed also. The early “under” shirts were made of linen or silk, but as shirts became worn on their own they were made of more durable fabrics such as broadcloth, oxford, fine twills, and pinpoint fabrics-all classified as “shirtings”. These fabrics have endured in the shirting industry as light-weight yet durable. Aren’t those two qualities just what we look for in children’s clothing too?

Although you wouldn’t guess by the sound of it, shirting fabric is some of the most ideal material for children’s clothing. The close, crisp weave feels silky against the skin, and the fun colors and patterns suit the personalities of the little ones who wear them.

DIY Heirloom Belt

Farmhouse Fabrics Heirloom Belt Tutorial

When you make a garment, you can bring a lot of character and beauty to your project by focusing on the details. Thoughtful touches to a collar or hem can change the look of an entire dress, and little accessories like a hair bow or a belt can pull everything together. Today we want to share a Farmhouse Fabrics original tutorial of what we call our “Heirloom Belt”. This belt was featured on one of our little girls in our latest advertisement in “Classic Sewing” magazine (see pictures from the ad here) and it is a lovely touch to an heirloom dress or blouse. Make it for a little girl in your life or make one for yourself! Here is what you will need:


Swiss beading-width of your preference (determine your length by measuring around the waist of whoever you are making the belt for and then add an inch) See the beading we used here.

1 yard silk satin ribbon-width corresponding to your beading size. See the ribbon we used here.

Grosgrain ribbon-width of the entredeux to entredeux of your beading and color of your beading. The amount you need will be the length of your beading without that added inch. See the ribbon we used here.

Flat tape threader or ribbon weaver

Scissors, thread, and sewing machine

First, fold under and press the seam allowances of your beading.

It will end up looking like this:

Before Sewing

Lay your beading on top of your grosgrain ribbon. The beading will be slightly longer than the ribbon and you can fold that excess over the ends of the ribbon. Pin in place.

Using your sewing machine, topstitch your beading to your ribbon being sure to catch the folded over ends.

Topstitch 1

This is where the amazingly handy ribbon weaver or flat tape threader come into play. If y’all don’t already have one of these you need to get one now….when I used one for the first time I felt like I was experiencing a whole new world. We stock several different ribbon weavers, but I used my favorite: the flat tape threader from the John James Bodkin set. Thread your choice of ribbon weaver with ribbon (my ribbon was 6 mm wide) and weave the ribbon through your beading. Ribbon Bodkin


And ta-da! You are done! Use this sweet belt as an accessory on your lovely heirloom outfits and make it in varying widths using different entredeux. What a lovely little detail!

Finished Closeup


Let’s Talk Christening Gowns

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Last week, Prince George of Cambridge turned three. In the barrage of photos celebrating the little prince’s birthday, we were reminded of the exquisite christening gown he wore back in 2013 and which was then worn again by Princess Charlotte in 2015. The British royal family is rich with tradition, so it makes sense that they would have a gorgeous heirloom christening gown to pass down.

Prince George Christening Gown

Christening gowns themselves are full of beautiful tradition and meaning. Up until the late 17th century, infants were carried to the baptismal font tightly swaddled and laid in a silk cloth decorated with gold braid-called a “bearing cloth”. However, in the 18th century, doctors began to discourage tight swaddling because they believed it restricted growth, and babies began to be dressed in gowns instead. The gowns were white to symbolize the innocence and purity of the infant and they were elaborately decorated in fine trims as was the style of that time. Christening gowns as a tradition have endured. Some parents have a lovely family heirloom gown to pass along to each child, and of course the royal family is no exception.

Royal Family Christening Gown

The Windsor family christening gown through time. From left to right: baby Queen Elizabeth, baby Prince Charles, baby Prince William, and baby Prince George. The original gown was worn by every baby in the photos above except for Prince George, who is wearing the replica commissioned by the Queen.

The family christening gown that George and Charlotte wore is a replica of a gown commissioned by Queen Victoria for the christening of her eldest child, the Crown Princess Victoria, in 1841. The original gown itself was worn by over 60 royal babies until it was retired due to it’s deteriorating condition. The last child to wear the gown was Lady Louise Windsor in 2004-talk about quality craftsmanship! HM Queen Elizabeth commissioned an exact replica, which was first worn by a Windsor baby in 2008. Princess Charlotte was the 7th and most recent wearer in 2015. The gown and its original are made of yards of white satin and Honiton lace. Honiton lace is a bobbin “part lace” made in Hontion, Devon in England. Regular bobbin lace can only be as wide as the pillow it is made on, but part lace is composed of small lace motifs made individually and stitched onto a netting, so it’s width can be unlimited.


Visit our website for the materials to create this stunning Christening gown by Connie Palmer-featured in the premier issue of Classic Sewing Magazine!

At Farmhouse, we specialize in heirloom sewing, so we work with many people creating Christening gowns. The most popular fabric choices are Nelona and Bearissima (see our blog post on heirloom fabrics for more info on those). Customers will also choose beautiful Maline or Swiss lace to embellish their heirloom. We have the privilege of assisting customers picking out lace for a christening gown. Whether its’s a new gown or matching lace to an old one, we love seeing the careful and loving creation of family heirlooms.

Farmhouse Fabrics Christening Gown by Miss Dot

Where Are We?


Picture yourself driving down a winding country road. You pass a quaint white church on your left and then a little ways down you drive by picturesque cotton fields on your right. Just around the bend in the road is the driveway of Farmhouse Fabrics.

We often get questions about where we are located, especially when people are planning on coming for a class! “Where can I stay in Beech Island?” they ask. Well, the answer to that is really a long way of simply saying: nowhere. Beech Island, South Carolina is a place where, as we locals like to say, “there’s no beach and no island!”. This is a small agricultural community with a population of around 8,000-one of those towns where you drive through and if you blink you’ve missed it. Our claim to fame is that we are the birthplace of James Brown…”I Feel Good”. You would never guess that a fabric warehouse is tucked away in the trees beside Miss Sally’s 100-year-old white farmhouse.  Our shop seems out of place way out among the cotton fields and magnolia trees! So when we host a class, we usually recommend that students stay in one of our neighboring towns: Aiken, SC or Augusta, GA.

Farmhouse Fabrics View

The view as you leave the driveway of Farmhouse Fabrics!

Aiken is a lovely historic town known for its genteel past-times such as polo and the Aiken Steeplechase. It has a quaint downtown with lovely local restaurants and shops. If you want to experience some tranquil Southern culture, Aiken is the perfect place to see. The charming “Hopelands Gardens” are perfect for a stroll or viewing a free concert on your weekend evenings-the ideal break from sewing all day!


Downtown Aiken, SC (photo found on Pinterest)

Augusta is just across the river from Beech Island on the Georgia side. Augusta is the third largest city in GA and home to the famous Masters Golf Tournament. Many visitors like to stay at a hotel on Washington Road-only a few miles down the street from the National. Sometimes the front gates to the course are open and passers-by can get a glimpse of the famous tree-lined driveway! Augusta also has the closest airport to Beech Island (the other option would be flying into Columbia, SC and driving the rest of the way).

For those of us who work at Farmhouse, the setting is ideal. There’s a lovely commute into work every morning. Some of us drive over the Savannah River as the sun comes up and the water sparkles. Others approach from the Aiken direction and pass the historic Redcliffe Plantation with its lovely spreading Magnolia trees. Customers who visit us are always pleasantly surprised at our quiet and peaceful surroundings. Come and see for yourself! We are open the first Friday and second Wednesday of every month from 8 AM to 3 PM. We are also available by appointment! Customers love to call ahead and schedule a day to make a “Farmhouse road trip”! Or visit us for one of our upcoming classes! There are so many kinds of classes to choose from…visit our “Classes” category on our website.

Farmhouse Fabrics Classes

Four of our upcoming class projects! Click here to go to our “Classes” category online!

We hope to see you soon! We would love to serve you some sweet tea and sit on the porch with you to enjoy our lovely view of the Southern country.

Farmhouse Fabrics Shop and House


Farmhouse Goes Shopping

If your shop is a destination sewing stop, where do you go on your shopping trips? We love having customers come in our store. If they aren’t too overwhelmed, they are so excited to be here! Some customers stick around all day finding treasures. Of course, at Farmhouse we are around these products all day. So what is our “Farmhouse Fabrics” equivalent? Where do we go to get our fabric shopping fix?

Farmhouse Fabrics Cindy Foose

Well, recently Miss Sally went on a shopping trip with Miss Cindy Foose (her co-designer of a Wink and a Nod patterns)! They headed to NYC to hit up all Miss Sally’s favorite fabric stops. To give you an idea of what their trip looked like: imagine 200 of our shops put together in one place. And imagine that those 200 shops are even more packed with fabric than ours is. Well, that would be one of the warehouses they visited. That’s not to mention the other two stops!

Of course Miss Sally and Miss Cindy were like children in a candy shop. They made the most of their time and saw all the important sites in New York: the fabric shops. Good thing they had a view of the Empire State building from the hotel window, because if it hadn’t have been, they might not have seen it. There were too many fabric warehouses to see!

These places are the stuff of fabric buyers’ dreams! Warehouses with floor upon floor of shelves simply packed with fabric! And there are so many different kinds of fabrics to choose from! Top of the line shirtings, delicate Swiss, heavily beaded bridal pieces, and everything else you could think of!

Fabric shop owners are simply shoppers whose stash has gotten a little out of hand. When you own a fabric shop, you need to go find someone who has a bigger stash shop than you. When we find that place, then we are the ones who are overwhelmed and excited! Always watch for new items from our shopping trips online in our New Items category.

Who knows when we might go on our next shopping trip! We need our fix too!

Farmhouse Fabrics Warehouse Shopping


Fall Ad Outtakes

Farmhouse Fabrics Photo Shoot

For Farmhouse Fabrics, an advertisement in Classic Sewing means a lot of children, a lot of outfits, and a LOT of pictures! If you take a look at our ad on page 14 of Classic Sewing’s latest fall issue, you can see three photos of our lovely models, but what you don’t see is the hundreds of other photos we left out! Some of those outtakes are so sweet that we just had to share them. Unfortunately you can only fit so many pictures on one magazine page, but on the blog we can post many more!

Farmhouse Fabrics 11These girls are growing up so quickly! Our sweet blonde on the left is wearing Miss Sally’s “Tiptoes and Twirls” dress. She used the “Laurel” dress pattern by Bonnie Blue Designs made out of Liberty of London “Margaret Annie” and trimmed with delicate Swiss edging and beading. The spunky redhead on the right is wearing our lovely “Denim and Pearls” dress. Miss Sally made this one out of the “Wendy” by Primrose Lane pattern using our lovely, soft Art Gallery denim and delicate embroidered Swiss voile. You can click on the photos below to make them enlarge so you can get a better look at these girls and their darling outfits!



So those are our “big girls”. Next we have our “medium girls” (they wouldn’t want to be called “little”!) They were so fun to photograph! These cuties pretty much ignored the camera and just did their own thing, which made for some very sweet pictures.

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Farmhouse Fabrics 14Miss Brunette on the left is wearing a top Miss Sally made using a variation of the Bonnie Blue “Ayla Rose” pattern. Miss Sally used our gorgeous seafoam linen and piped the waist-band and the sleeves with prissy pink imperial broadcloth piping. A stunning heavy Venise lace for the front and tiny Swiss edging lent an heirloom charm to the shirt. Miss Medium Blonde is wearing a gorgeous peasant blouse made out of peach dotted Swiss voile edged with an ivory French lace. Her skirt is made out of the Art Gallery denim and edged with the same Swiss edging that was used in the “Tiptoes and Twirls” dress.




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Finally we have our littlest redheads! These two were over the whole picture-taking thing pretty quickly, but we the pictures we got of them are too precious for words!

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Little Miss Red is wearing the new a Wink and a Nod Designs pattern “Cissy”. We actually have a kit for this very dress online—click here to see it! This girl’s hair is just gorgeous…we can’t get enough of it!

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Little Man is oh-so-handsome in his fall vest made using Kwik Sew 3399.

Here at Farmhouse, photo shoots are crazy, but they are also sew much fun!

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